Friday, July 10, 2009

A Charmed Life by Richard Harding Davis


A highly amusing story by Richard Harding Davis with a multitude of twists which manage to get the protagonist home in the face of all odds.

A Charmed life
by Richard Harding Davis

She loved him so, that when he went away to a little war in which his country was interested she could not understand, nor quite forgive.

As the correspondent of a newspaper, Chesterton had looked on at other wars; when the yellow races met, when the infidel Turk spanked the Christian Greek; and one he had watched from inside a British square, where he was greatly alarmed lest he should be trampled upon by terrified camels. This had happened before he and she had met. After they met, she told him that what chances he had chosen to take before he came into her life fell outside of her jurisdiction. But now that his life belonged to her, this talk of his standing up to be shot at was wicked. It was worse than wicked; it was absurd.

When the Maine sank in Havana harbor and the word "war" was appearing hourly in hysterical extras, Miss Armitage explained her position.

"You mustn't think," she said, "that I am one of those silly girls who would beg you not to go to war."

At the moment of speaking her cheek happened to be resting against his, and his arm was about her, so he humbly bent his head and kissed her, and whispered very proudly and softly, "No, dearest."

At which she withdrew from him frowning.

"No! I'm not a bit like those girls," she proclaimed. "I merely tell you YOU CAN'T GO! My gracious!" she cried, helplessly. She knew the words fell short of expressing her distress, but her education had not supplied her with exclamations of greater violence.

"My goodness!" she cried. "How can you frighten me so? It's not like you," she reproached him. "You are so unselfish, so noble. You are always thinking of other people. How can you talk of going to war—to be killed—to me? And now, now that you have made me love you so?"

The hands, that when she talked seemed to him like swallows darting and flashing in the sunlight, clutched his sleeve. The fingers, that he would rather kiss than the lips of any other woman that ever lived, clung to his arm. Their clasp reminded him of that of a drowning child he had once lifted from the surf.

"If you should die," whispered Miss Armitage. "What would I do. What would I do!"

"But my dearest," cried the young man. "My dearest ONE! I've GOT to go. It's our own war. Everybody else will go," he pleaded. "Every man you know, and they're going to fight, too. I'm going only to look on. That's bad enough, isn't it, without sitting at home? You should be sorry I'm not going to fight."

"Sorry!" exclaimed the girl. "If you love me—"

"If I love you," shouted the young man. His voice suggested that he was about to shake her. "How dare you?"

She abandoned that position and attacked from one more logical.

"But why punish me?" she protested. "Do I want the war? Do I want to free Cuba? No! I want YOU, and if you go, you are the one who is sure to be killed. You are so big—and so brave, and you will be rushing in wherever the fighting is, and then—then you will die." She raised her eyes and looked at him as though seeing him from a great distance. "And," she added fatefully, "I will die, too, or maybe I will have to live, to live without you for years, for many miserable years."

Fearfully, with great caution, as though in his joy in her he might crush her in his hands, the young man drew her to him and held her close. After a silence he whispered. "But, you know that nothing can happen to me. Not now, that God has let me love you. He could not be so cruel. He would not have given me such happiness to take it from me. A man who loves you, as I love you, cannot come to any harm. And the man YOU love is immortal, immune. He holds a charmed life. So long as you love him, he must live."

The eyes of the girl smiled up at him through her tears. She lifted her lips to his. "Then you will never die!" she said.

She held him away from her. "Listen!" she whispered. "What you say is true. It must be true, because you are always right. I love you so that nothing can harm you. My love will be a charm. It will hang around your neck and protect you, and keep you, and bring you back to me. When you are in danger my love will save you. For, while it lives, I live. When it dies—"

Chesterton kissed her quickly.

"What happens then," he said, "doesn't matter."

The war game had run its happy-go-lucky course briefly and brilliantly, with "glory enough for all," even for Chesterton. For, in no previous campaign had good fortune so persistently stood smiling at his elbow. At each moment of the war that was critical, picturesque, dramatic, by some lucky accident he found himself among those present. He could not lose. Even when his press boat broke down at Cardenas, a Yankee cruiser and two Spanish gun-boats, apparently for his sole benefit, engaged in an impromptu duel within range of his megaphone. When his horse went lame, the column with which he had wished to advance, passed forward to the front unmolested, while the rear guard, to which he had been forced to join his fortune, fought its way through the stifling underbrush.

Between his news despatches, when he was not singing the praises of his fellow-countrymen, or copying lists of their killed and wounded, he wrote to Miss Armitage. His letters were scrawled on yellow copy paper and consisted of repetitions of the three words, "I love you," rearranged, illuminated, and intensified.

Each letter began much in the same way. "The war is still going on. You can read about it in the papers. What I want you to know is that I love you as no man ever—" And so on for many pages.

From her only one of the letters she wrote reached him. It was picked up in the sand at Siboney after the medical corps, in an effort to wipe out the yellow-fever, had set fire to the post-office tent.

She had written it some weeks before from her summer home at Newport, and in it she said: "When you went to the front, I thought no woman could love more than I did then. But, now I know. At least I know one girl who can. She cannot write it. She can never tell you. You must just believe.

"Each day I hear from you, for as soon as the paper comes, I take it down to the rocks and read your cables, and I look south across the ocean to Cuba, and try to see you in all that fighting and heat and fever. But I am not afraid. For each morning I wake to find I love you more; that it has grown stronger, more wonderful, more hard to bear. And I know the charm I gave you grows with it, and is more powerful, and that it will bring you back to me wearing new honors, 'bearing your sheaves with you.'

"As though I cared for your new honors. I want YOU, YOU, YOU—only YOU."

When Santiago surrendered and the invading army settled down to arrange terms of peace, and imbibe fever, and General Miles moved to Porto Rico, Chesterton moved with him.

In that pretty little island a command of regulars under a general of the regular army had, in a night attack, driven back the Spaniards from Adhuntas. The next afternoon as the column was in line of march, and the men were shaking themselves into their accoutrements, a dusty, sweating volunteer staff officer rode down the main street of Adhuntas, and with the authority of a field marshal, held up his hand.

"General Miles's compliments, sir," he panted, "and peace is declared!"

Different men received the news each in a different fashion. Some whirled their hats in the air and cheered. Those who saw promotion and the new insignia on their straps vanish, swore deeply. Chesterton fell upon his saddle-bags and began to distribute his possessions among the enlisted men. After he had remobilized, his effects consisted of a change of clothes, his camera, water-bottle, and his medicine case. In his present state of health and spirits he could not believe he stood in need of the medicine case, but it was a gift from Miss Armitage, and carried with it a promise from him that he always would carry it. He had "packed" it throughout the campaign, and for others it had proved of value.

"I take it you are leaving us," said an officer enviously.

"I am leaving you so quick," cried Chesterton laughing, "that you won't even see the dust. There's a transport starts from Mayaguez at six to-morrow morning, and, if I don't catch it, this pony will die on the wharf."

"The road to Mayaguez is not healthy for Americans," said the general in command. "I don't think I ought to let you go. The enemy does not know peace is on yet, and there are a lot of guerillas—"

Chesterton shook his head in pitying wonder.

"Not let me go!" he exclaimed. "Why, General, you haven't enough men in your command to stop me, and as for the Spaniards and guerillas—! I'm homesick," cried the young man. "I'm so damned homesick that I am liable to die of it before the transport gets me to Sandy Hook."

"If you are shot up by an outpost," growled the general, "you will be worse off than homesick. It's forty miles to Mayaguez. Better wait till daylight. Where's the sense of dying, after the fighting's over?"

"If I don't catch that transport I sure WILL die," laughed Chesterton. His head was bent and he was tugging at his saddle girths. Apparently the effort brought a deeper shadow to his tan, "but nothing else can kill me! I have a charm, General," he exclaimed.

"We hadn't noticed it," said the general.

The staff officers, according to regulations, laughed.

"It's not that kind of a charm," said Chesterton. "Good-by, General."

The road was hardly more than a trail, but the moon made it as light as day, and cast across it black tracings of the swinging vines and creepers; while high in the air it turned the polished surface of the palms into glittering silver. As he plunged into the cool depths of the forest Chesterton threw up his arms and thanked God that he was moving toward her. The luck that had accompanied him throughout the campaign had held until the end. Had he been forced to wait for a transport, each hour would have meant a month of torment, an arid, wasted place in his life. As it was, with each eager stride of El Capitan, his little Porto Rican pony, he was brought closer to her. He was so happy that as he galloped through the dark shadows of the jungle or out into the brilliant moonlight he shouted aloud and sang; and again as he urged El Capitan to greater bursts of speed, he explained in joyous, breathless phrases why it was that he urged him on.

"For she is wonderful and most beautiful," he cried, "the most glorious girl in all the world! And, if I kept her waiting, even for a moment, El Capitan, I would be unworthy—and I might lose her! So you see we ride for a great prize!"

The Spanish column that, the night before, had been driven from Adhuntas, now in ignorance of peace, occupied both sides of the valley through which ran the road to Mayaguez, and in ambush by the road itself had placed an outpost of two men. One was a sharp-shooter of the picked corps of the Guardia Civile, and one a sergeant of the regiment that lay hidden in the heights. If the Americans advanced toward Mayaguez, these men were to wait until the head of the column drew abreast of them, when they were to fire. The report of their rifles would be the signal for those in the hill above to wipe out the memory of Adhuntas.

Chesterton had been riding at a gallop, but, as he reached the place where the men lay in ambush, he pulled El Capitan to a walk, and took advantage of his first breathing spell to light his pipe. He had already filled it, and was now fumbling in his pocket for his match-box. The match-box was of wood such as one can buy, filled to the brim with matches, for one penny. But it was a most precious possession. In the early days of his interest in Miss Armitage, as they were once setting forth upon a motor trip, she had handed it to him.

"Why," he asked.

"You always forget to bring any," she said simply, "and have to borrow some."

The other men in the car, knowing this to be a just reproof, laughed sardonically, and at the laugh the girl had looked up in surprise. Chesterton, seeing the look, understood that her act, trifling as it was, had been sincere, had been inspired simply by thought of his comfort. And he asked himself why young Miss Armitage should consider his comfort, and why the fact that she did consider it should make him so extremely happy. And he decided it must be because she loved him and he loved her.

Having arrived at that conclusion, he had asked her to marry him, and upon the match-box had marked the date and the hour. Since then she had given him many pretty presents, marked with her initials, marked with his crest, with strange cabalistic mottoes that meant nothing to any one save themselves. But the wooden matchbox was still the most valued of his possessions.

As he rode into the valley the rays of the moon fell fully upon him, and exposed him to the outpost as pitilessly as though he had been held in the circle of a search-light.

The bronzed Mausers pushed cautiously through the screen of vines. There was a pause, and the rifle of the sergeant wavered. When he spoke his tone was one of disappointment.

"He is a scout, riding alone," he said.

"He is an officer," returned the sharp-shooter, excitedly. "The others follow. We should fire now and give the signal."

"He is no officer, he is a scout," repeated the sergeant. "They have sent him ahead to study the trail and to seek us. He may be a league in advance. If we shoot HIM, we only warn the others."

Chesterton was within fifty yards. After an excited and anxious search he had found the match-box in the wrong pocket. The eyes of the sharp-shooter frowned along the barrel of his rifle. With his chin pressed against the stock he whispered swiftly from the corner of his lips, "He is an officer! I am aiming where the strap crosses his heart. You aim at his belt. We fire together."

The heat of the tropic night and the strenuous gallop had covered El Capitan with a lather of sweat. The reins upon his neck dripped with it. The gauntlets with which Chesterton held them were wet. As he raised the matchbox it slipped from his fingers and fell noiselessly in the trail. With an exclamation he dropped to the road and to his knees, and groping in the dust began an eager search.

The sergeant caught at the rifle of the sharpshooter, and pressed it down.

"Look!" he whispered. "He IS a scout. He is searching the trail for the tracks of our ponies. If you fire they will hear it a league away."

"But if he finds our trail and returns—"

The sergeant shook his head. "I let him pass forward," he said grimly. "He will never return."

Chesterton pounced upon the half-buried matchbox, and in a panic lest he might again lose it, thrust it inside his tunic.

"Little do you know, El Capitan," he exclaimed breathlessly, as he scrambled back into the saddle and lifted the pony into a gallop, "what a narrow escape I had. I almost lost it."

Toward midnight they came to a wooden bridge swinging above a ravine in which a mountain stream, forty feet below, splashed over half-hidden rocks, and the stepping stones of the ford. Even before the campaign began the bridge had outlived its usefulness, and the unwonted burden of artillery, and the vibrations of marching men had so shaken it that it swayed like a house of cards. Threatened by its own weight, at the mercy of the first tropic storm, it hung a death trap for the one who first added to its burden.

No sooner had El Capitan struck it squarely with his four hoofs, than he reared and, whirling, sprang back to the solid earth. The suddenness of his retreat had all but thrown Chesterton, but he regained his seat, and digging the pony roughly with his spurs, pulled his head again toward the bridge.

"What are you shying at, now?" he panted. "That's a perfectly good bridge."

For a minute horse and man struggled for the mastery, the horse spinning in short circles, the man pulling, tugging, urging him with knees and spurs. The first round ended in a draw. There were two more rounds with the advantage slightly in favor of El Capitan, for he did not approach the bridge.

The night was warm and the exertion violent. Chesterton, puzzled and annoyed, paused to regain his breath and his temper. Below him, in the ravine, the shallow waters of the ford called to him, suggesting a pleasant compromise. He turned his eyes downward and saw hanging over the water what appeared to be a white bird upon the lower limb of a dead tree. He knew it to be an orchid, an especially rare orchid, and he knew, also, that the orchid was the favorite flower of Miss Armitage. In a moment he was on his feet, and with the reins over his arm, was slipping down the bank, dragging El Capitan behind him. He ripped from the dead tree the bark to which the orchid was clinging, and with wet moss and grass packed it in his leather camera case. The camera he abandoned on the path. He always could buy another camera; he could not again carry a white orchid, plucked in the heart of the tropics on the night peace was declared, to the girl he left behind him. Followed by El Capitan, nosing and snuffing gratefully at the cool waters, he waded the ford, and with his camera case swinging from his shoulder, galloped up the opposite bank and back into the trail.

A minute later, the bridge, unable to recover from the death blow struck by El Capitan, went whirling into the ravine and was broken upon the rocks below. Hearing the crash behind him, Chesterton guessed that in the jungle a tree had fallen.

They had started at six in the afternoon and had covered twenty of the forty miles that lay between Adhuntas and Mayaguez, when, just at the outskirts of the tiny village of Caguan, El Capitan stumbled, and when he arose painfully, he again fell forward.

Caguan was a little church, a little vine-covered inn, a dozen one-story adobe houses shining in the moonlight like whitewashed sepulchres. They faced a grass-grown plaza, in the centre of which stood a great wooden cross. At one corner of the village was a corral, and in it many ponies. At the sight Chesterton gave a cry of relief. A light showed through the closed shutters of the inn, and when he beat with his whip upon the door, from the adobe houses other lights shone, and white-clad figures appeared in the moonlight. The landlord of the inn was a Spaniard, fat and prosperous-looking, but for the moment his face was eloquent with such distress and misery that the heart of the young man, who was at peace with all the world, went instantly out to him. The Spaniard was less sympathetic. When he saw the khaki suit and the campaign hat he scowled, and ungraciously would have closed the door. Chesterton, apologizing, pushed it open. His pony, he explained, had gone lame, and he must have another, and at once. The landlord shrugged his shoulders. These were war times, he said, and the American officer could take what he liked. They in Caguan were noncombatants and could not protest. Chesterton hastened to reassure him. The war, he announced, was over, and were it not, he was no officer to issue requisitions. He intended to pay for the pony. He unbuckled his belt and poured upon the table a handful of Spanish doubloons. The landlord lowered the candle and silently counted the gold pieces, and then calling to him two of his fellow-villagers, crossed the tiny plaza and entered the corral.

"The American pig," he whispered, "wishes to buy a pony. He tells me the war is over; that Spain has surrendered. We know that must be a lie. It is more probable he is a deserter. He claims he is a civilian, but that also is a lie, for he is in uniform. You, Paul, sell him your pony, and then wait for him at the first turn in the trail, and take it from him."

"He is armed," protested the one called Paul.

"You must not give him time to draw his revolver," ordered the landlord. "You and Pedro will shoot him from the shadow. He is our country's enemy, and it will be in a good cause. And he may carry despatches. If we take them to the commandante at Mayaguez he will reward us."

"And the gold pieces?" demanded the one called Paul.

"We will divide them in three parts," said the landlord.

In the front of the inn, surrounded by a ghostlike group that spoke its suspicions, Chesterton was lifting his saddle from El Capitan and rubbing the lame foreleg. It was not a serious sprain. A week would set it right, but for that night the pony was useless. Impatiently, Chesterton called across the plaza, begging the landlord to make haste. He was eager to be gone, alarmed and fearful lest even this slight delay should cause him to miss the transport. The thought was intolerable. But he was also acutely conscious that he was very hungry, and he was too old a campaigner to scoff at hunger. With the hope that he could find something to carry with him and eat as he rode forward, he entered the inn.

The main room of the house was now in darkness, but a smaller room adjoining it was lit by candles, and by a tiny taper floating before a crucifix. In the light of the candles Chesterton made out a bed, a priest bending over it, a woman kneeling beside it, and upon the bed the little figure of a boy who tossed and moaned. As Chesterton halted and waited hesitating, the priest strode past him, and in a voice dull and flat with grief and weariness, ordered those at the door to bring the landlord quickly. As one of the group leaped toward the corral, the priest said to the others: "There is another attack. I have lost hope."

Chesterton advanced and asked if he could be of service. The priest shook his head. The child, he said, was the only son of the landlord, and much beloved by him, and by all the village. He was now in the third week of typhoid fever and the period of hemorrhages. Unless they could be checked, the boy would die, and the priest, who for many miles of mountain and forest was also the only doctor, had exhausted his store of simple medicines.

"Nothing can stop the hemorrhage," he protested wearily, "but the strongest of drugs. And I have nothing!"

Chesterton bethought him of the medicine case Miss Armitage had forced upon him. "I have given opium to the men for dysentery," he said. "Would opium help you?"

The priest sprang at him and pushed him out of the door and toward the saddle-bags.

"My children," he cried, to the silent group in the plaza, "God has sent a miracle!"

After an hour at the bedside the priest said, "He will live," and knelt, and the mother of the boy and the villagers knelt with him. When Chesterton raised his eyes, he found that the landlord, who had been silently watching while the two men struggled with death for the life of his son, had disappeared. But he heard, leaving the village along the trail to Mayaguez, the sudden clatter of a pony's hoofs. It moved like a thing driven with fear.

The priest strode out into the moonlight. In the recovery of the child he saw only a demonstration of the efficacy of prayer, and he could not too quickly bring home the lesson to his parishioners. Amid their murmurs of wonder and gratitude Chesterton rode away. To the kindly care of the priest he bequeathed El Capitan. With him, also, he left the gold pieces which were to pay for the fresh pony.

A quarter of a mile outside the village three white figures confronted him. Two who stood apart in the shadow shrank from observation, but the landlord, seated bareback upon a pony that from some late exertion was breathing heavily, called to him to halt.

"In the fashion of my country," he began grandiloquently, "we have come this far to wish you God speed upon your journey." In the fashion of the American he seized Chesterton by the hand. "I thank you, senor," he murmured.

"Not me," returned Chesterton. "But the one who made me 'pack' that medicine chest. Thank her, for to-night I think it saved a life."

The Spaniard regarded him curiously, fixing him with his eyes as though deep in consideration. At last he smiled gravely.

"You are right," he said. "Let us both remember her in our prayers."

As Chesterton rode away the words remained gratefully in his memory and filled him with pleasant thoughts. "The world," he mused, "is full of just such kind and gentle souls."

After an interminable delay he reached Newport, and they escaped from the others, and Miss Armitage and he ran down the lawn to the rocks, and stood with the waves whispering at their feet.

It was the moment for which each had so often longed, with which both had so often tortured themselves by living in imagination, that now, that it was theirs, they were fearful it might not be true.

Finally, he said: "And the charm never failed! Indeed, it was wonderful! It stood by me so obviously. For instance, the night before San Juan, in the mill at El Poso, I slept on the same poncho with another correspondent. I woke up with a raging appetite for bacon and coffee, and he woke up out of his mind, and with a temperature of one hundred and four. And again, I was standing by Capron's gun at El Caney, when a shell took the three men who served it, and only scared ME. And there was another time—" He stopped. "Anyway," he laughed, "here I am."

"But there was one night, one awful night," began the girl. She trembled, and he made this an added excuse for drawing her closer to him. "When I felt you were in great peril, that you would surely die. And all through the night I knelt by the window and looked toward Cuba and prayed, and prayed to God to let you live."

Chesterton bent his head and kissed the tips of her fingers. After a moment he said: "Would you know what night it was? It might be curious if I had been—"

"Would I know!" cried the girl. "It was eight days ago. The night of the twelfth. An awful night!"

"The twelfth!" exclaimed Chesterton, and laughed and then begged her pardon humbly. "I laughed because the twelfth," he exclaimed, "was the night peace was declared. The war was over. I'm sorry, but THAT night I was riding toward you, thinking only of you. I was never for a moment in danger."

____________________________________________

This is a short story by Richard Harding Davis .This story has been obtained from Project Gutenberg site.

Thursday, July 9, 2009

The Last Leaf by O. Henry

A rare touching story by O. Henry.

THE LAST LEAF

From the Collection "The Four Million"
By Porter, William Sidney (O. Henry)


In a little district west of Washington Square the streets have run crazy and broken themselves into small strips called "places." These "places" make strange angles and curves. One street crosses itself a time or two. An artist once discovered a valuable possibility in this street. Suppose a collector with a bill for paints, paper and canvas should, in traversing this route, suddenly meet himself coming back, without a cent having been paid on account!

So, to quaint old Greenwich Village the art people soon came prowling, hunting for north windows and eighteenth-century gables and Dutch attics and low rents. Then they imported some pewter mugs and a chafing dish or two from Sixth avenue, and became a "colony."

At the top of a squatty, three-story brick Sue and Johnsy had their studio. "Johnsy" was familiar for Joanna. One was from Maine; the other from California. They had met at the table d'hote of an Eighth street "Delmonico's," and found their tastes in art, chicory salad and bishop sleeves so congenial that the joint studio resulted.

That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the colony, touching one here and there with his icy fingers. Over on the east side this ravager strode boldly, smiting his victims by scores, but his feet trod slowly through the maze of the narrow and moss-grown "places."

Mr. Pneumonia was not what you would call a chivalric old gentleman. A mite of a little woman with blood thinned by California zephyrs was hardly fair game for the red-fisted, short-breathed old duffer. But Johnsy he smote; and she lay, scarcely moving, on her painted iron bedstead, looking through the small Dutch window-panes at the blank side of the next brick house.

One morning the busy doctor invited Sue into the hallway with a shaggy, gray eyebrow.

"She has one chance in—let us say, ten," he said, as he shook down the mercury in his clinical thermometer. "And that chance is for her to want to live. This way people have of lining-up on the side of the undertaker makes the entire pharmacopeia look silly. Your little lady has made up her mind that she's not going to get well. Has she anything on her mind?"

"She—she wanted to paint the Bay of Naples some day," said Sue.

"Paint?—bosh! Has she anything on her mind worth thinking about twice—a man, for instance?"

"A man?" said Sue, with a jew's-harp twang in her voice. "Is a man worth—but, no, doctor; there is nothing of the kind."

"Well, it is the weakness, then," said the doctor. "I will do all that science, so far as it may filter through my efforts, can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 per cent. from the curative power of medicines. If you will get her to ask one question about the new winter styles in cloak sleeves I will promise you a one-in-five chance for her, instead of one in ten."

After the doctor had gone Sue went into the workroom and cried a Japanese napkin to a pulp. Then she swaggered into Johnsy's room with her drawing board, whistling ragtime.

Johnsy lay, scarcely making a ripple under the bedclothes, with her face toward the window. Sue stopped whistling, thinking she was asleep.

She arranged her board and began a pen-and-ink drawing to illustrate a magazine story. Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature.

As Sue was sketching a pair of elegant horseshow riding trousers and a monocle on the figure of the hero, an Idaho cowboy, she heard a low sound, several times repeated. She went quickly to the bedside.

Johnsy's eyes were open wide. She was looking out the window and counting—counting backward.

"Twelve," she said, and a little later "eleven;" and then "ten," and "nine;" and then "eight" and "seven," almost together.

Sue looked solicitously out the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old ivy vine, gnarled and decayed at the roots, climbed half way up the brick wall. The cold breath of autumn had stricken its leaves from the vine until its skeleton branches clung, almost bare, to the crumbling bricks.

"What is it, dear?" asked Sue.

"Six," said Johnsy, in almost a whisper. "They're falling faster now. Three days ago there were almost a hundred. It made my head ache to count them. But now it's easy. There goes another one. There are only five left now."

"Five what, dear. Tell your Sudie."

"Leaves. On the ivy vine. When the last one falls I must go, too. I've known that for three days. Didn't the doctor tell you?"

"Oh, I never heard of such nonsense," complained Sue, with magnificent scorn. "What have old ivy leaves to do with your getting well? And you used to love that vine so, you naughty girl. Don't be a goosey. Why, the doctor told me this morning that your chances for getting well real soon were—let's see exactly what he said—he said the chances were ten to one! Why, that's almost as good a chance as we have in New York when we ride on the street cars or walk past a new building. Try to take some broth now, and let Sudie go back to her drawing, so she can sell the editor man with it, and buy port wine for her sick child, and pork chops for her greedy self."

"You needn't get any more wine," said Johnsy, keeping her eyes fixed out the window. "There goes another. No, I don't want any broth. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go, too."

"Johnsy, dear," said Sue, bending over her, "will you promise me to keep your eyes closed, and not look out the window until I am done working? I must hand those drawings in by to-morrow. I need the light, or I would draw the shade down."

"Couldn't you draw in the other room?" asked Johnsy, coldly.

"I'd rather be here by you," said Sue. "Besides I don't want you to keep looking at those silly ivy leaves."

"Tell me as soon as you have finished," said Johnsy, closing her eyes, and lying white and still as a fallen statue, "because I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I went to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves."

"Try to sleep," said Sue. "I must call Behrman up to be my model for the old hermit miner. I'll not be gone a minute. Don't try to move 'till I come back."

Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in any one, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above.

Sue found Behrman smelling strongly of juniper berries in his dimly lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away when her slight hold upon the world grew weaker.

Old Behrman, with his red eyes, plainly streaming, shouted his contempt and derision for such idiotic imaginings.

"Vass!" he cried. "Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I will not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der prain of her? Ach, dot poor lettle Miss Johnsy."

"She is very ill and weak," said Sue, "and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old—old flibbertigibbet."

"You are just like a woman!" yelled Behrman. "Who said I will not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go away. Gott! yes."

Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill, and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit-miner on an upturned kettle for a rock.

When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

"Pull it up; I want to see," she ordered, in a whisper.

Wearily Sue obeyed.

But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last on the vine. Still dark green near its stem, but with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from a branch some twenty feet above the ground.

"It is the last one," said Johnsy. "I thought it would surely fall during the night. I heard the wind. It will fall to-day, and I shall die at the same time."

"Dear, dear!" said Sue, leaning her worn face down to the pillow, "think of me, if you won't think of yourself. What would I do?"

But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly as one by one the ties that bound her to friendship and to earth were loosed.

The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves.

When it was light enough Johnsy, the merciless, commanded that the shade be raised.

The ivy leaf was still there.

Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove.

"I've been a bad girl, Sudie," said Johnsy. "Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring me a little broth now, and some milk with a little port in it, and—no; bring me a hand-mirror first, and then pack some pillows about me, and I will sit up and watch you cook."

An hour later she said.

"Sudie, some day I hope to paint the Bay of Naples."

The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left.

"Even chances," said the doctor, taking Sue's thin, shaking hand in his. "With good nursing you'll win. And now I must see another case I have downstairs. Behrman, his name is—some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital to-day to be made more comfortable."

The next day the doctor said to Sue: "She's out of danger. You've won. Nutrition and care now—that's all."

And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woolen shoulder scarf, and put one arm around her, pillows and all.

"I have something to tell you, white mouse," she said. "Mr. Behrman died of pneumonia to-day in the hospital. He was ill only two days. The janitor found him on the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colors mixed on it, and—look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece—he painted it there the night that the last leaf fell."

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This is a story from the Collection of short stories titled "The Four Million" by O. Henry This story has been obtained from Project Gutenberg site.

Wednesday, July 8, 2009

The Gift of Magi by O. Henry


This story doesn't need an introduction. You must have read it earlier but then again you could read it again, its just so good! So here you go.


THE GIFT OF THE MAGI
From the Collection "The Four Million"
By Porter, William Sidney (O. Henry)


One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one's cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.

There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.

While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad.

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name "Mr. James Dillingham Young." The "Dillingham" had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, the letters of "Dillingham" looked blurred, as though they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called "Jim" and greatly hugged by Mrs. James Dillingham Young, already

introduced to you as Della. Which is all very good.

Della finished her cry and attended to her cheeks with the powder rag. She stood by the window and looked out dully at a grey cat walking a grey fence in a grey backyard. Tomorrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn't go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling—something just a little bit near to being worthy of the honour of being owned by Jim.

There was a pier-glass between the windows of the room. Perhaps you have seen a pier-glass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.

Suddenly she whirled from the window and stood before the glass. Her eyes were shining brilliantly, but her face had lost its colour within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.

Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim's gold watch that had been his father's and his grandfather's. The other was Della's hair. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty's jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.

So now Della's beautiful hair fell about her, rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet.

On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street.

Where she stopped the sign read: "Mme. Sofronie. Hair Goods of All Kinds." One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the "Sofronie."

"Will you buy my hair?" asked Della.

"I buy hair," said Madame. "Take yer hat off and let's have a sight at the looks of it."

Down rippled the brown cascade. "Twenty dollars," said Madame, lifting the mass with a practised hand.

"Give it to me quick," said Della.

Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim's present.

She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation—as all good things should do. It was even worthy of The Watch. As soon as she saw it she that it must be Jim's. It was like him. Quietness and value—the description applied to both. Twenty-one dollars they took from her for it, and she hurried home with the 87 cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap that he used in place of a chain.

When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task, dear friends—a mammoth task.

Within forty minutes her head was covered with tiny, close-lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror long, carefully, and critically.

"If Jim doesn't kill me," she said to herself, "before he takes a second look at me, he'll say I look like a Coney Island chorus girl. But what could I do—oh! what could I do with a dollar and eighty-seven cents?"

At 7 o'clock the coffee was made and the frying-pan was on the back of the stove hot and ready to cook the chops.

Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit for saying little silent prayers about the simplest everyday things, and now she whispered: "Please God, make him think I am still pretty."

The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty-two—and to be burdened with a family! He needed a new overcoat and he was without gloves.

Jim stopped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face.

Della wriggled off the table and went for him.

"Jim, darling," she cried, "don't look at me that way. I had my hair cut off and sold because I couldn't have lived through Christmas without giving you a present. It'll grow out again—you won't mind, will you? I just had to do it. My hair grows awfully fast. Say 'Merry Christmas!' Jim, and let's be happy. You don't know what a nice—what a beautiful, nice gift I've got for you."

"You've cut off your hair?" asked Jim, laboriously, as if he had not arrived at that patent fact yet even after the hardest mental labor.

"Cut it off and sold it," said Della. "Don't you like me just as well, anyhow? I'm me without my hair, ain't I?"

Jim looked about the room curiously.

"You say your hair is gone?" he said, with an air almost of idiocy.

"You needn't look for it," said Della. "It's sold, I tell you—sold and gone, too. It's Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered," she went on with sudden serious sweetness, "but nobody could ever count my love for you. Shall I put the chops on, Jim?"

Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year—what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on.

Jim drew a package from his overcoat pocket and threw it upon the table.

"Don't make any mistake, Dell," he said, "about me. I don't think there's anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you'll unwrap that package you may see why you had me going a while at first."

White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.

For there lay The Combs—the set of combs, side and back, that Della had worshipped long in a Broadway window. Beautiful combs, pure tortoise shell, with jewelled rims—just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.

But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: "My hair grows so fast, Jim!"

And them Della leaped up like a little singed cat and cried, "Oh, oh!"

Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.

"Isn't it a dandy, Jim? I hunted all over town to find it. You'll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it."

Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled.

"Dell," said he, "let's put our Christmas presents away and keep 'em a while. They're too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on."

The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.

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This is a story from the Collection of short stories titled "
The Four Million" by O. Henry This story has been obtained from Project Gutenberg site.

Tuesday, July 7, 2009

Mammon & the Archer By O. Henry

A cynical story strongly attacking cupid's role in a love story!

MAMMON AND THE ARCHER
From the Collection "The Four Million"
By Porter, William Sidney (O. Henry)

Old Anthony Rockwall, retired manufacturer and proprietor of Rockwall's Eureka Soap, looked out the library window of his Fifth Avenue mansion and grinned. His neighbour to the right—the aristocratic clubman, G. Van Schuylight Suffolk-Jones—came out to his waiting motor-car, wrinkling a contumelious nostril, as usual, at the Italian renaissance sculpture of the soap palace's front elevation.

"Stuck-up old statuette of nothing doing!" commented the ex-Soap King. "The Eden Musee'll get that old frozen Nesselrode yet if he don't watch out. I'll have this house painted red, white, and blue next summer and see if that'll make his Dutch nose turn up any higher."

And then Anthony Rockwall, who never cared for bells, went to the door of his library and shouted "Mike!" in the same voice that had once chipped off pieces of the welkin on the Kansas prairies.

"Tell my son," said Anthony to the answering menial, "to come in here before he leaves the house."

When young Rockwall entered the library the old man laid aside his newspaper, looked at him with a kindly grimness on his big, smooth, ruddy countenance, rumpled his mop of white hair with one hand and rattled the keys in his pocket with the other.

"Richard," said Anthony Rockwall, "what do you pay for the soap that you use?"

Richard, only six months home from college, was startled a little. He had not yet taken the measure of this sire of his, who was as full of unexpectednesses as a girl at her first party.

"Six dollars a dozen, I think, dad."

"And your clothes?"

"I suppose about sixty dollars, as a rule."

"You're a gentleman," said Anthony, decidedly. "I've heard of these young bloods spending $24 a dozen for soap, and going over the hundred mark for clothes. You've got as much money to waste as any of 'em, and yet you stick to what's decent and moderate. Now I use the old Eureka—not only for sentiment, but it's the purest soap made. Whenever you pay more than 10 cents a cake for soap you buy bad perfumes and labels. But 50 cents is doing very well for a young man in your generation, position and condition. As I said, you're a gentleman. They say it takes three generations to make one. They're off. Money'll do it as slick as soap grease. It's made you one. By hokey! it's almost made one of me. I'm nearly as impolite and disagreeable and ill-mannered as these two old Knickerbocker gents on each side of me that can't sleep of nights because I bought in between 'em."

"There are some things that money can't accomplish," remarked young Rockwall, rather gloomily.

"Now, don't say that," said old Anthony, shocked. "I bet my money on money every time. I've been through the encyclopaedia down to Y looking for something you can't buy with it; and I expect to have to take up the appendix next week. I'm for money against the field. Tell me something money won't buy."

"For one thing," answered Richard, rankling a little, "it won't buy one into the exclusive circles of society."

"Oho! won't it?" thundered the champion of the root of evil. "You tell me where your exclusive circles would be if the first Astor hadn't had the money to pay for his steerage passage over?"

Richard sighed.

"And that's what I was coming to," said the old man, less boisterously. "That's why I asked you to come in. There's something going wrong with you, boy. I've been noticing it for two weeks. Out with it. I guess I could lay my hands on eleven millions within twenty-four hours, besides the real estate. If it's your liver, there's the Rambler down in the bay, coaled, and ready to steam down to the Bahamas in two days."

"Not a bad guess, dad; you haven't missed it far."

"Ah," said Anthony, keenly; "what's her name?"

Richard began to walk up and down the library floor. There was enough comradeship and sympathy in this crude old father of his to draw his confidence.

"Why don't you ask her?" demanded old Anthony. "She'll jump at you. You've got the money and the looks, and you're a decent boy. Your hands are clean. You've got no Eureka soap on 'em. You've been to college, but she'll overlook that."

"I haven't had a chance," said Richard.

"Make one," said Anthony. "Take her for a walk in the park, or a straw ride, or walk home with her from church. Chance! Pshaw!"

"You don't know the social mill, dad. She's part of the stream that turns it. Every hour and minute of her time is arranged for days in advance. I must have that girl, dad, or this town is a blackjack swamp forevermore. And I can't write it—I can't do that."

"Tut!" said the old man. "Do you mean to tell me that with all the money I've got you can't get an hour or two of a girl's time for yourself?"

"I've put it off too late. She's going to sail for Europe at noon day after to-morrow for a two years' stay. I'm to see her alone to-morrow evening for a few minutes. She's at Larchmont now at her aunt's. I can't go there. But I'm allowed to meet her with a cab at the Grand Central Station to-morrow evening at the 8.30 train. We drive down Broadway to Wallack's at a gallop, where her mother and a box party will be waiting for us in the lobby. Do you think she would listen to a declaration from me during that six or eight minutes under those circumstances? No. And what chance would I have in the theatre or afterward? None. No, dad, this is one tangle that your money can't unravel. We can't buy one minute of time with cash; if we could, rich people would live longer. There's no hope of getting a talk with Miss Lantry before she sails."

"All right, Richard, my boy," said old Anthony, cheerfully. "You may run along down to your club now. I'm glad it ain't your liver. But don't forget to burn a few punk sticks in the joss house to the great god Mazuma from time to time. You say money won't buy time? Well, of course, you can't order eternity wrapped up and delivered at your residence for a price, but I've seen Father Time get pretty bad stone bruises on his heels when he walked through the gold diggings."

That night came Aunt Ellen, gentle, sentimental, wrinkled, sighing, oppressed by wealth, in to Brother Anthony at his evening paper, and began discourse on the subject of lovers' woes.

"He told me all about it," said brother Anthony, yawning. "I told him my bank account was at his service. And then he began to knock money. Said money couldn't help. Said the rules of society couldn't be bucked for a yard by a team of ten-millionaires."

"Oh, Anthony," sighed Aunt Ellen, "I wish you would not think so much of money. Wealth is nothing where a true affection is concerned. Love is all-powerful. If he only had spoken earlier! She could not have refused our Richard. But now I fear it is too late. He will have no opportunity to address her. All your gold cannot bring happiness to your son."

At eight o'clock the next evening Aunt Ellen took a quaint old gold ring from a moth-eaten case and gave it to Richard.

"Wear it to-night, nephew," she begged. "Your mother gave it to me. Good luck in love she said it brought. She asked me to give it to you when you had found the one you loved."

Young Rockwall took the ring reverently and tried it on his smallest finger. It slipped as far as the second joint and stopped. He took it off and stuffed it into his vest pocket, after the manner of man. And then he 'phoned for his cab.

At the station he captured Miss Lantry out of the gadding mob at eight thirty-two.

"We mustn't keep mamma and the others waiting," said she.

"To Wallack's Theatre as fast as you can drive!" said Richard loyally.

They whirled up Forty-second to Broadway, and then down the white-starred lane that leads from the soft meadows of sunset to the rocky hills of morning.

At Thirty-fourth Street young Richard quickly thrust up the trap and ordered the cabman to stop.

"I've dropped a ring," he apologised, as he climbed out. "It was my mother's, and I'd hate to lose it. I won't detain you a minute—I saw where it fell."

In less than a minute he was back in the cab with the ring.

But within that minute a crosstown car had stopped directly in front of the cab. The cabman tried to pass to the left, but a heavy express wagon cut him off. He tried the right, and had to back away from a furniture van that had no business to be there. He tried to back out, but dropped his reins and swore dutifully. He was blockaded in a tangled mess of vehicles and horses.

One of those street blockades had occurred that sometimes tie up commerce and movement quite suddenly in the big city.

"Why don't you drive on?" said Miss Lantry, impatiently. "We'll be late."

Richard stood up in the cab and looked around. He saw a congested flood of wagons, trucks, cabs, vans and street cars filling the vast space where Broadway, Sixth Avenue and Thirty-fourth street cross one another as a twenty-six inch maiden fills her twenty-two inch girdle. And still from all the cross streets they were hurrying and rattling toward the converging point at full speed, and hurling themselves into the struggling mass, locking wheels and adding their drivers' imprecations to the clamour. The entire traffic of Manhattan seemed to have jammed itself around them. The oldest New Yorker among the thousands of spectators that lined the sidewalks had not witnessed a street blockade of the proportions of this one.

"I'm very sorry," said Richard, as he resumed his seat, "but it looks as if we are stuck. They won't get this jumble loosened up in an hour. It was my fault. If I hadn't dropped the ring we—"

"Let me see the ring," said Miss Lantry. "Now that it can't be helped, I don't care. I think theatres are stupid, anyway."

At 11 o'clock that night somebody tapped lightly on Anthony Rockwall's door.

"Come in," shouted Anthony, who was in a red dressing-gown, reading a book of piratical adventures.

Somebody was Aunt Ellen, looking like a grey-haired angel that had been left on earth by mistake.

"They're engaged, Anthony," she said, softly. "She has promised to marry our Richard. On their way to the theatre there was a street blockade, and it was two hours before their cab could get out of it.

"And oh, brother Anthony, don't ever boast of the power of money again. A little emblem of true love—a little ring that symbolised unending and unmercenary affection—was the cause of our Richard finding his happiness. He dropped it in the street, and got out to recover it. And before they could continue the blockade occurred. He spoke to his love and won her there while the cab was hemmed in. Money is dross compared with true love, Anthony."

"All right," said old Anthony. "I'm glad the boy has got what he wanted. I told him I wouldn't spare any expense in the matter if—"

"But, brother Anthony, what good could your money have done?"

"Sister," said Anthony Rockwall. "I've got my pirate in a devil of a scrape. His ship has just been scuttled, and he's too good a judge of the value of money to let drown. I wish you would let me go on with this chapter."

The story should end here. I wish it would as heartily as you who read it wish it did. But we must go to the bottom of the well for truth.

The next day a person with red hands and a blue polka-dot necktie, who called himself Kelly, called at Anthony Rockwall's house, and was at once received in the library.

"Well," said Anthony, reaching for his chequebook, "it was a good bilin' of soap. Let's see—you had $5,000 in cash."

"I paid out $300 more of my own," said Kelly. "I had to go a little above the estimate. I got the express wagons and cabs mostly for $5; but the trucks and two-horse teams mostly raised me to $10. The motormen wanted $10, and some of the loaded teams $20. The cops struck me hardest—$50 I paid two, and the rest $20 and $25. But didn't it work beautiful, Mr. Rockwall? I'm glad William A. Brady wasn't onto that little outdoor vehicle mob scene. I wouldn't want William to break his heart with jealousy. And never a rehearsal, either! The boys was on time to the fraction of a second. It was two hours before a snake could get below Greeley's statue."

"Thirteen hundred—there you are, Kelly," said Anthony, tearing off a check. "Your thousand, and the $300 you were out. You don't despise money, do you, Kelly?"

"Me?" said Kelly. "I can lick the man that invented poverty."

Anthony called Kelly when he was at the door.

"You didn't notice," said he, "anywhere in the tie-up, a kind of a fat boy without any clothes on shooting arrows around with a bow, did you?"

"Why, no," said Kelly, mystified. "I didn't. If he was like you say, maybe the cops pinched him before I got there."

"I thought the little rascal wouldn't be on hand," chuckled Anthony. "Good-by, Kelly."

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This is a story from the Collection of short stories titled "
The Four Million" by O. Henry This story has been obtained from Project Gutenberg site.


Monday, July 6, 2009

The Romancers by Saki

An interesting read which will keep you wondering as to what's next!!! I specially loved the last line. Read on to find out if you love it too!

THE ROMANCERS
From the Collection, "Beasts and Super-Beasts"
By H.H. Munro (Saki)


It was autumn in London, that blessed season between the harshness of
winter and the insincerities of summer; a trustful season when one buys
bulbs and sees to the registration of one's vote, believing perpetually
in spring and a change of Government.

Morton Crosby sat on a bench in a secluded corner of Hyde Park, lazily
enjoying a cigarette and watching the slow grazing promenade of a pair of
snow-geese, the male looking rather like an albino edition of the russet-
hued female. Out of the corner of his eye Crosby also noted with some
interest the hesitating hoverings of a human figure, which had passed and
repassed his seat two or three times at shortening intervals, like a wary
crow about to alight near some possibly edible morsel. Inevitably the
figure came to an anchorage on the bench, within easy talking distance of
its original occupant. The uncared-for clothes, the aggressive, grizzled
beard, and the furtive, evasive eye of the new-comer bespoke the
professional cadger, the man who would undergo hours of humiliating tale-
spinning and rebuff rather than adventure on half a day's decent work.

For a while the new-comer fixed his eyes straight in front of him in a
strenuous, unseeing gaze; then his voice broke out with the insinuating
inflection of one who has a story to retail well worth any loiterer's
while to listen to.

"It's a strange world," he said.

As the statement met with no response he altered it to the form of a
question.

"I daresay you've found it to be a strange world, mister?"

"As far as I am concerned," said Crosby, "the strangeness has worn off in
the course of thirty-six years."

"Ah," said the greybeard, "I could tell you things that you'd hardly
believe. Marvellous things that have really happened to me."

"Nowadays there is no demand for marvellous things that have really
happened," said Crosby discouragingly; "the professional writers of
fiction turn these things out so much better. For instance, my
neighbours tell me wonderful, incredible things that their Aberdeens and
chows and borzois have done; I never listen to them. On the other hand,
I have read 'The Hound of the Baskervilles' three times."

The greybeard moved uneasily in his seat; then he opened up new country.

"I take it that you are a professing Christian," he observed.

"I am a prominent and I think I may say an influential member of the
Mussulman community of Eastern Persia," said Crosby, making an excursion
himself into the realms of fiction.

The greybeard was obviously disconcerted at this new check to
introductory conversation, but the defeat was only momentary.

"Persia. I should never have taken you for a Persian," he remarked, with
a somewhat aggrieved air.

"I am not," said Crosby; "my father was an Afghan."

"An Afghan!" said the other, smitten into bewildered silence for a
moment. Then he recovered himself and renewed his attack.

"Afghanistan. Ah! We've had some wars with that country; now, I
daresay, instead of fighting it we might have learned something from it.
A very wealthy country, I believe. No real poverty there."

He raised his voice on the word "poverty" with a suggestion of intense
feeling. Crosby saw the opening and avoided it.

"It possesses, nevertheless, a number of highly talented and ingenious
beggars," he said; "if I had not spoken so disparagingly of marvellous
things that have really happened I would tell you the story of Ibrahim
and the eleven camel-loads of blotting-paper. Also I have forgotten
exactly how it ended."

"My own life-story is a curious one," said the stranger, apparently
stifling all desire to hear the history of Ibrahim; "I was not always as
you see me now."

"We are supposed to undergo complete change in the course of every seven
years," said Crosby, as an explanation of the foregoing announcement.

"I mean I was not always in such distressing circumstances as I am at
present," pursued the stranger doggedly.

"That sounds rather rude," said Crosby stiffly, "considering that you are
at present talking to a man reputed to be one of the most gifted
conversationalists of the Afghan border."

"I don't mean in that way," said the greybeard hastily; "I've been very
much interested in your conversation. I was alluding to my unfortunate
financial situation. You mayn't hardly believe it, but at the present
moment I am absolutely without a farthing. Don't see any prospect of
getting any money, either, for the next few days. I don't suppose you've
ever found yourself in such a position," he added.

"In the town of Yom," said Crosby, "which is in Southern Afghanistan, and
which also happens to be my birthplace, there was a Chinese philosopher
who used to say that one of the three chiefest human blessings was to be
absolutely without money. I forget what the other two were."

"Ah, I daresay," said the stranger, in a tone that betrayed no enthusiasm
for the philosopher's memory; "and did he practise what he preached?
That's the test."

"He lived happily with very little money or resources," said Crosby.

"Then I expect he had friends who would help him liberally whenever he
was in difficulties, such as I am in at present."

"In Yom," said Crosby, "it is not necessary to have friends in order to
obtain help. Any citizen of Yom would help a stranger as a matter of
course."

The greybeard was now genuinely interested.

The conversation had at last taken a favourable turn.

"If someone, like me, for instance, who was in undeserved difficulties,
asked a citizen of that town you speak of for a small loan to tide over a
few days' impecuniosity--five shillings, or perhaps a rather larger
sum--would it be given to him as a matter of course?"

"There would be a certain preliminary," said Crosby; "one would take him
to a wine-shop and treat him to a measure of wine, and then, after a
little high-flown conversation, one would put the desired sum in his hand
and wish him good-day. It is a roundabout way of performing a simple
transaction, but in the East all ways are roundabout."

The listener's eyes were glittering.

"Ah," he exclaimed, with a thin sneer ringing meaningly through his
words, "I suppose you've given up all those generous customs since you
left your town. Don't practise them now, I expect."

"No one who has lived in Yom," said Crosby fervently, "and remembers its
green hills covered with apricot and almond trees, and the cold water
that rushes down like a caress from the upland snows and dashes under the
little wooden bridges, no one who remembers these things and treasures
the memory of them would ever give up a single one of its unwritten laws
and customs. To me they are as binding as though I still lived in that
hallowed home of my youth."

"Then if I was to ask you for a small loan--" began the greybeard
fawningly, edging nearer on the seat and hurriedly wondering how large he
might safely make his request, "if I was to ask you for, say--"

"At any other time, certainly," said Crosby; "in the months of November
and December, however, it is absolutely forbidden for anyone of our race
to give or receive loans or gifts; in fact, one does not willingly speak
of them. It is considered unlucky. We will therefore close this
discussion."

"But it is still October!" exclaimed the adventurer with an eager, angry
whine, as Crosby rose from his seat; "wants eight days to the end of the
month!"

"The Afghan November began yesterday," said Crosby severely, and in
another moment he was striding across the Park, leaving his recent
companion scowling and muttering furiously on the seat.

"I don't believe a word of his story," he chattered to himself; "pack of
nasty lies from beginning to end. Wish I'd told him so to his face.
Calling himself an Afghan!"

The snorts and snarls that escaped from him for the next quarter of an
hour went far to support the truth of the old saying that two of a trade
never agree.

_________________________________

This is a story from the Collection of short stories titled "Beast and Super-Beasts" by Saki. This story has been obtained from Project Gutenberg site.

Saturday, July 4, 2009

The Hen by Saki

An absolutely delightful tale showcasing Clovis's wit. Clovis has figured in many stories written by Saki. I'll be posting more of his exploits soon, for now read on!

THE HEN
From the Collection, "Beasts and Super-Beasts"
By H.H. Munro (Saki)


"Dora Bittholz is coming on Thursday," said Mrs. Sangrail.

"This next Thursday?" asked Clovis

His mother nodded.

"You've rather done it, haven't you?" he chuckled; "Jane Martlet has only
been here five days, and she never stays less than a fortnight, even when
she's asked definitely for a week. You'll never get her out of the house
by Thursday."

"Why should I?" asked Mrs. Sangrail; "she and Dora are good friends,
aren't they? They used to be, as far as I remember."

"They used to be; that's what makes them all the more bitter now. Each
feels that she has nursed a viper in her bosom. Nothing fans the flame
of human resentment so much as the discovery that one's bosom has been
utilised as a snake sanatorium."

"But what has happened? Has some one been making mischief?"

"Not exactly," said Clovis; "a hen came between them."

"A hen? What hen?"

"It was a bronze Leghorn or some such exotic breed, and Dora sold it to
Jane at a rather exotic price. They both go in for prize poultry, you
know, and Jane thought she was going to get her money back in a large
family of pedigree chickens. The bird turned out to be an abstainer from
the egg habit, and I'm told that the letters which passed between the two
women were a revelation as to how much invective could be got on to a
sheet of notepaper."

"How ridiculous!" said Mrs. Sangrail. "Couldn't some of their friends
compose the quarrel?"

"People tried," said Clovis, "but it must have been rather like composing
the storm music of the 'Fliegende Hollander.' Jane was willing to take
back some of her most libellous remarks if Dora would take back the hen,
but Dora said that would be owning herself in the wrong, and you know
she'd as soon think of owning slum property in Whitechapel as do that."

"It's a most awkward situation," said Mrs. Sangrail. "Do you suppose
they won't speak to one another?"

"On the contrary, the difficulty will be to get them to leave off. Their
remarks on each other's conduct and character have hitherto been governed
by the fact that only four ounces of plain speaking can be sent through
the post for a penny."

"I can't put Dora off," said Mrs. Sangrail. "I've already postponed her
visit once, and nothing short of a miracle would make Jane leave before
her self-allotted fortnight is over."

"Miracles are rather in my line," said Clovis. "I don't pretend to be
very hopeful in this case but I'll do my best."

"As long as you don't drag me into it--" stipulated his mother.

* * * * *

"Servants are a bit of a nuisance," muttered Clovis, as he sat in the
smoking-room after lunch, talking fitfully to Jane Martlet in the
intervals of putting together the materials of a cocktail, which he had
irreverently patented under the name of an Ella Wheeler Wilcox. It was
partly compounded of old brandy and partly of curacoa; there were other
ingredients, but they were never indiscriminately revealed.

"Servants a nuisance!" exclaimed Jane, bounding into the topic with the
exuberant plunge of a hunter when it leaves the high road and feels turf
under its hoofs; "I should think they were! The trouble I've had in
getting suited this year you would hardly believe. But I don't see what
you have to complain of--your mother is so wonderfully lucky in her
servants. Sturridge, for instance--he's been with you for years, and I'm
sure he's a paragon as butlers go."

"That's just the trouble," said Clovis. "It's when servants have been
with you for years that they become a really serious nuisance. The 'here
to-day and gone to-morrow' sort don't matter--you've simply got to
replace them; it's the stayers and the paragons that are the real worry."

"But if they give satisfaction--"

"That doesn't prevent them from giving trouble. Now, you've mentioned
Sturridge--it was Sturridge I was particularly thinking of when I made
the observation about servants being a nuisance."

"The excellent Sturridge a nuisance! I can't believe it."

"I know he's excellent, and we just couldn't get along without him; he's
the one reliable element in this rather haphazard household. But his
very orderliness has had an effect on him. Have you ever considered what
it must be like to go on unceasingly doing the correct thing in the
correct manner in the same surroundings for the greater part of a
lifetime? To know and ordain and superintend exactly what silver and
glass and table linen shall be used and set out on what occasions, to
have cellar and pantry and plate-cupboard under a minutely devised and
undeviating administration, to be noiseless, impalpable, omnipresent,
and, as far as your own department is concerned, omniscient?"

"I should go mad," said Jane with conviction.

"Exactly," said Clovis thoughtfully, swallowing his completed Ella
Wheeler Wilcox.

"But Sturridge hasn't gone mad," said Jane with a flutter of inquiry in
her voice.

"On most points he's thoroughly sane and reliable," said Clovis, "but at
times he is subject to the most obstinate delusions, and on those
occasions he becomes not merely a nuisance but a decided embarrassment."

"What sort of delusions?"

"Unfortunately they usually centre round one of the guests of the house
party, and that is where the awkwardness comes in. For instance, he took
it into his head that Matilda Sheringham was the Prophet Elijah, and as
all that he remembered about Elijah's history was the episode of the
ravens in the wilderness he absolutely declined to interfere with what he
imagined to be Matilda's private catering arrangements, wouldn't allow
any tea to be sent up to her in the morning, and if he was waiting at
table he passed her over altogether in handing round the dishes."

"How very unpleasant. Whatever did you do about it?"

"Oh, Matilda got fed, after a fashion, but it was judged to be best for
her to cut her visit short. It was really the only thing to be done,"
said Clovis with some emphasis.

"I shouldn't have done that," said Jane, "I should have humoured him in
some way. I certainly shouldn't have gone away."

Clovis frowned.

"It is not always wise to humour people when they get these ideas into
their heads. There's no knowing to what lengths they may go if you
encourage them."

"You don't mean to say he might be dangerous, do you?" asked Jane with
some anxiety.

"One can never be certain," said Clovis; "now and then he gets some idea
about a guest which might take an unfortunate turn. That is precisely
what is worrying me at the present moment."

"What, has he taken a fancy about some one here now?" asked Jane
excitedly; "how thrilling! Do tell me who it is."

"You," said Clovis briefly.

"Me?"

Clovis nodded.

"Who on earth does he think I am?"

"Queen Anne," was the unexpected answer.

"Queen Anne! What an idea. But, anyhow, there's nothing dangerous about
her; she's such a colourless personality."

"What does posterity chiefly say about Queen Anne?" asked Clovis rather
sternly.

"The only thing that I can remember about her," said Jane, "is the saying
'Queen Anne's dead.'"

"Exactly," said Clovis, staring at the glass that had held the Ella
Wheeler Wilcox, "dead."

"Do you mean he takes me for the ghost of Queen Anne?" asked Jane.

"Ghost? Dear no. No one ever heard of a ghost that came down to
breakfast and ate kidneys and toast and honey with a healthy appetite.
No, it's the fact of you being so very much alive and flourishing that
perplexes and annoys him. All his life he has been accustomed to look on
Queen Anne as the personification of everything that is dead and done
with, 'as dead as Queen Anne,' you know; and now he has to fill your
glass at lunch and dinner and listen to your accounts of the gay time you
had at the Dublin Horse Show, and naturally he feels that something's
very wrong with you."

"But he wouldn't be downright hostile to me on that account, would he?"
Jane asked anxiously.

"I didn't get really alarmed about it till lunch to-day," said Clovis; "I
caught him glowering at you with a very sinister look and muttering:
'Ought to be dead long ago, she ought, and some one should see to it.'
That's why I mentioned the matter to you."

"This is awful," said Jane; "your mother must be told about it at once."

"My mother mustn't hear a word about it," said Clovis earnestly; "it
would upset her dreadfully. She relies on Sturridge for everything."

"But he might kill me at any moment," protested Jane.

"Not at any moment; he's busy with the silver all the afternoon."

"You'll have to keep a sharp look-out all the time and be on your guard
to frustrate any murderous attack," said Jane, adding in a tone of weak
obstinacy: "It's a dreadful situation to be in, with a mad butler
dangling over you like the sword of What's-his-name, but I'm certainly
not going to cut my visit short."

Clovis swore horribly under his breath; the miracle was an obvious
misfire.

It was in the hall the next morning after a late breakfast that Clovis
had his final inspiration as he stood engaged in coaxing rust spots from
an old putter.

"Where is Miss Martlet?" he asked the butler, who was at that moment
crossing the hall.

"Writing letters in the morning-room, sir," said Sturridge, announcing a
fact of which his questioner was already aware.

"She wants to copy the inscription on that old basket-hilted sabre," said
Clovis, pointing to a venerable weapon hanging on the wall. "I wish
you'd take it to her; my hands are all over oil. Take it without the
sheath, it will be less trouble."

The butler drew the blade, still keen and bright in its well-cared for
old age, and carried it into the morning-room. There was a door near the
writing-table leading to a back stairway; Jane vanished through it with
such lightning rapidity that the butler doubted whether she had seen him
come in. Half an hour later Clovis was driving her and her
hastily-packed luggage to the station.

"Mother will be awfully vexed when she comes back from her ride and finds
you have gone," he observed to the departing guest, "but I'll make up
some story about an urgent wire having called you away. It wouldn't do
to alarm her unnecessarily about Sturridge."

Jane sniffed slightly at Clovis' ideas of unnecessary alarm, and was
almost rude to the young man who came round with thoughtful inquiries as
to luncheon-baskets.

The miracle lost some of its usefulness from the fact that Dora wrote the
same day postponing the date of her visit, but, at any rate, Clovis holds
the record as the only human being who ever hustled Jane Martlet out of
the time-table of her migrations.

_____________________________

This is a story from the Collection of short stories titled "Beast and Super-Beasts" by Saki. This story has been obtained from Project Gutenberg site.